Archive for October, 2013

The samurai and survivors of Fukushima

Shortly after the mandatory evacuation was announced on television, Fumio Okubo put on his best clothes and his daughter-in-law served up his favorite dinner. By morning, the 102-year-old was dead. He had hanged himself before dawn.

A rope knitted from plastic bags is certainly not a tanto knife. Nor was his death a dramatic one, with the public in attendance and blood all around but what an old farmer did that morning recalls the act of a samurai in ancient times – to die with honor. Okubo, who was born and lived his entire life between Iitate’s rice fields and cedar trees, wanted to die in his beautiful village, here and nowhere else.

Mieko Okubo poses with portrait of her father-in-law Fumio Okubo in their house where he committed suicide in the evacuated town of Iitate in Fukushima prefecture
For most people on Japan’s eastern coast – at least for those survivors who lost nobody and nothing – the true horror of the powerful earthquake and tsunami it triggered was over quickly. But for many unfortunate souls in otherwise prosperous Fukushima prefecture, March 11, 2011 was just the start of what for me is one of the most heart-rending stories I have ever covered outside the misery of the developing world.

The unimaginable happened. A nuclear power plant, the pride of Fukushima, was overwhelmed by the monster wave, setting off a series of disasters that never stopped. The result is equally disastrous: two and a half years later, Fukushima looks worse than ever. Once the government realized the initial scale of destruction and the threat of radiation, over 300,000 people were evacuated. Towns and villages were abandoned and lives broken. People were in shock. Only a few, Fumio Okubo among them, knew this was not something that would be over in a week or so.

Evacuees found shelter in schools and sport halls turned into collective centers across the prefecture, sometimes in places with radiation levels higher that their original home towns. In the early post-tsunami chaos, such mistakes were made. Iitate, officially one of the most beautiful villages in Japan, was originally designated as a shelter for people from areas near the tsunami-crippled plant. Then it was realized that the radioactive cloud traveled north-west, and that Iitate was more contaminated than many places closer to the plant.

Another announcement was made and everyone was on the move again, destined never to return. Except for Fumio Okubo and a few other civilian samurais, thousands of people ended up scattered across Japan.

A twisted clock, spider's webs and debris are seen from inside damaged primary school at the tsunami destroyed coastal area of the evacuated town of Namie in Fukushima prefecture only some 6 kilometers from crippled Daiichi power plant

Now, the miserable towns of Fukushima and their residents hang between the past disaster and fading hopes for rebuilding their futures.

For many, two and a half years was not long enough to bury their past and move on. They live in limbo – survivors, but not as alive as before. Inside plastic walls and tin roofs of their temporary accommodation they can’t possibly call home. Their real homes remain deep inside the zone. Most will never return there to live, and they know it.

The level of depression inside these thin walls is, not surprisingly, enormous. Hiroshi Masakura, a former landlord from Tomioka, currently lives at the evacuation center in Iwaki, south of the exclusion zone. A man in his sixties, with a strong face and a soft voice, he invited me to his makeshift home to meet his wife. But his wife Miyo is dead, and all I would meet are child-like portraits of her drawn by Masakura.

Hiroshi Maskura from the town of Tomioka near the tsunami-crippled Daiichi nuclear power plant sits inside his pre-fabricated house at the center for evacuees where he lives in Iwaki n Fukushima prefecture

Initially, the family was evacuated north of their Tomioka town and spent months in a sport hall, sharing the floor with many others. “That was bearable,” said Masakura. “We all ate the same food, we were together. People like you and even some celebrities visited us.” But then they moved to a settlement of pre-fabricated houses in the suburbs of Iwaki. The bare floors of sport halls and mere survival were replaced with something designed to simulate real life, but it was a poor substitute. This is when the real pain starts over what has gone forever. Those who lost their homes in wars or disasters know this moment very well.

As soon as they moved into a tiny new apartment, Mrs Miyo began suffering from depression. Three months later, she fell ill and they took her to a hospital with stomach problems. Four months later, she was dead. This is where the otherwise very strong Masakura’s world collapsed and he broke down while telling me the story. I asked if he believed his wife’s illness was related to the depression. He quietly replied, “Yes.”

Between the bare walls of his temporary home are pictures and drawings and a shrine to his late wife and a huge new TV screen. There is nothing material from his previous life, as if it was just a dream. “Do you want to hear my song?” Masakura asked.

“Sayonara and Tomioka” are the only words I understand from the song a lonely man composed and wrote, but the sad tone told me precisely what it was all about. Translation was not needed and, like so many times before, I focused on a camera to chase away my own dark thoughts.

Official numbers confirm what I witnessed. The Mainichi newspaper reported earlier this month that evacuation-related deaths in Fukushima Prefecture have surpassed the number killed in the original disaster. About 1,600 people have died in Fukushima due to their health deteriorating while living as evacuees, or because hospitals treating them had shut down. Others were driven to suicide.

An elderly woman leans against the damaged grave of her relative as she visits the cemetery at the tsunami destroyed coastal area of the evacuated town of Namie in Fukushima prefecture

Some evacuees retain a sliver of hope, or are ready to return home regardless of the danger. Some are too old to care what long-term radiation exposure might do to their health. But what they will do? Live alone, forgotten and abandoned like these poor and half-wild people I encountered years ago in Chernobyl’s exclusion zone?

Ironically, many people forced out of Chernobyl were able to start a new life relatively quickly. They buried the victims, along with all hope of returning to normality, thanks to the brutality of life under a Communist regime. Some moved to Slavutich, a town purpose-built for evacuees, or to Kiev, or even further into what was then the Soviet Union. A few climbed the fence, ignored the law and settled back inside the exclusion zone. But people will not do this in Japan. They will obey the rules, do what they are told and suffer forever in their pre-fabricated new houses. Only a very few hardcore Japanese will do it their own way.

Keigo Sakamoto, holds Atom one of his 21 dogs and over 500 animals he keeps at his home in the exclusion zone near Naraha in Fukushima prefecture

One of these people – considered a lunatic by some and a hero by others – is Keigo Sakamoto, a farmer and former caregiver for the mentally handicapped. Sakamoto said no to evacuation, stayed inside the zone and made animals his mission. He ventured into empty towns and villages and collected all the dogs and cats and rabbits and chocolate marmots abandoned by former owners when they left carrying sometimes as little as their wallets.

Now, Sakamoto lives with more than 500 animals in his mountain ranch near Naraha town in a scene reminiscent of experimental theater rather than modern Japan. It’s a very noisy theater too, because many of his dogs have gone wild from the time they spent alone before Sakamoto rescued them. As if to confirm this observation, one dog bit me hard as I passed his little house.

“There are no neighbors,” said Sakamoto. “I’m the only one here but I’m here to stay.” Of his more than 20 dogs, only two are friendly to man. One is called Atom, a super-cute white mutt, named because it was born just before the disaster at Fukushima.

In contrast to Sakamoto’s cacophonous theater, the scene in Fukushima’s deserted towns is more like a silent horror movie. It is a horror movie with no people, where the only dangers are half-destroyed buildings that might collapse and a few wild animals. Twice a wild boar trotted in front of my car and halted. I reached for my camera, but he ran away before I managed to photograph him.

Street lamps light the street in the evacuated town of Namie in Fukushima prefecture

Radiation is still a danger but everyone, myself included, wears a Geiger counter around the neck. There are roadblocks everywhere and signs warning of possible radiation hot spots.

In Chernobyl’s exclusion zone, a zombie-like creature bewildered by cheap vodka and loneliness might jump out from behind a bush. But here in Fukushima everything was in almost perfect order. In abandoned towns, traffic lights worked and a rare car would stop on red. Near the train station of a ghost town called Namie, sitting outside a shop whose window was stacked with undistributed copies of March 12, 2011 newspapers, a vending machine blinked. I dropped in a coin. The thing made the usual sound and gave me back a hot can of coffee! I tried to calculate how much energy the machine had consumed over these two and half years to heat my coffee in a ghost town with a population of zero.

On the other side of the rail tracks, along Namie’s main street, I met an elderly couple with masks over their faces and plastic bags over their shoes. They were making a rare authorized visit to their house and the family sweet shop they used to run. Mr and Mrs Nagaoka’s main concern was hygiene. There were mousetraps all over the place, and the couple spent their time taking dead mice out and putting more poison in.

Zenjuro Nagaoka is followed by his wife Satoko as he takes a dead mouse out of their sweet shop during a visit to the evacuated town of Namie in Fukushima prefecture

After the pests were taken care of, Zenjuro and his wife started cleaning the freezers inside their shop. To my surprise, all the cakes were still there and in perfect shape. Nagaoka, the owner, explained that the power had never been off since the day of the disaster. He didn’t seem to find that odd or particularly significant.

A vending machine, brought inland by a tsunami is seen in a abandoned rice field inside the exclusion zone at the coastal area near Minamisoma in Fukushima prefecture
I drove for days through abandoned towns and rice fields where strange things grew – plastic bags full of contaminated soil, the wrecked boat carried inland by the tsunami, another vending machine sprouting from a field.

I drove and drove through several parallel Fukushima worlds, where listless people moved through abnormally eerie scenery. Security guards were blocking the roads, letting in only those with special permission. The workers fixing the doomed plant or decontaminating the ground inside the exclusion zone were transported by bus through their own worlds to do miserable jobs. A few visiting former residents searched the vegetation for where the graveyard once stood.

I kept driving endlessly on roads cleaned and repaired as if life would come back tomorrow. My car radio was obviously broken and the only station it could tune to played classical music (called “serious music” in my native Bosnia). It was almost a perfect soundtrack to the scenery. Although Johnny Cash came to mind often: “I felt the power of death over life. I hung my head, I hung my head.”

Fumio Okubo, a modern samurai from Iitate, knew it all. Fukushima’s problems will take an age to fix. The old man just didn’t have time to wait.

A portrait of Fumio Okubo (C) and his son Kazuo hang from the wall of their house in the evacuated town of Iitate in Fukushima prefecture

Some more pictures in a different edit you can see here.

Surviving as a garment worker

Like a true professional, Maen Sopeak sings to the audience of seven people who sit on the bare floor of her room in a Phnom Penh suburb. Her singing is soft, at moments almost a whisper, but her beautiful voice is clear. In a country even slightly richer than devastated, impoverished Cambodia, she could be a star. She could perform to packed halls, wearing only the best clothes.

Maen Sopeak, a garment worker who shares a single room with six other girls smile during a lunch break in one of Phnom Penh's suburbs

Maen Sopeak is, however, just a poor garment worker. There will be no sell-out crowds or fancy dresses for her anytime soon. She shares a single, hole-in-the-wall room with six other women, who all work at a nearby garment factory producing clothes for Western brands.

The song is excruciatingly sad. It tells the story of a girl forced into marriage with an older man, not the one she loves. Maen makes the grim song sound somehow joyful, although suicidal thoughts would be more appropriate. The abject conditions where she lives and works are a natural setting for this tragic ballad. Here, misery invites yet more misery. Just like in my home country of Bosnia, another devastated post-genocide country where its sevdah music is just a natural extension of everyday hardship.

Garment workers sit on the floor of their apartment during a lunch break in one of Phnom Penh's suburbs

I’m in Cambodia for five days to do a story on garment workers. The idea is to see how these women live, and shine some light on these conditions before a tragedy strikes (which I hope will never happen). Working conditions are better than in Bangladesh, but not by much. After a building collapsed in Bangladesh in April, killing more than 1,000 workers in the deadliest disaster in the history of the garment industry, more business has come to Cambodia. Many fear more accidents will follow.

I knew coming here was not going to be easy. No matter how long I stay, or how good or lucky I am, many layers of this complex story will remain unseen. What I have seen and photographed is not easy to put into one picture or into a single thought.

A woman holds her child under cheap dresses offered for sale at a market just outside one of industrial zones in the suburbs of Phnom Penh where many of garment factories are situated

Cambodia’s garment industry is huge and getting bigger. More than 300,000 workers produce the clothing, mostly for exports. There is a high chance you have worn clothing from Gap or H&M that has been stitched together here. Demand and investments are surging. So, too, is labor unrest. That’s no surprise. Although salaries and conditions for workers in Cambodia are not as bad as in Bangladesh (the monthly minimum wage of $80 compared to only $38 in Bangladesh; in China it is $150) protests and strikes quadrupled over the last year. There have already been 48 strikes this year, more than in the whole of 2010 and 2011 combined.

In the village of Trapeng Weng, just outside Phnom Penh, more than 400 people work in a factory that makes products for Nike. “Police come every day to look for me, sometimes in uniform, sometimes as civilians,” says a man who claims to be on the black list for his role in recent and violent protests. The pay is not enough, he said, explaining the reason for the unrest. The government raised the minimum wage to $80 a month in March this year but workers complain that it is not enough and wage rises have not kept up with the cost of living.

Som Cheantha, a eight month pregnant garment worker cries and holds a sign during a gathering of workers at their union headquarters in Phnom Penh

To survive with some money left at the end of the month to send home, workers must live a very basic life. For those who come from the provinces, the accommodation is shocking: overcrowded buildings, four or even more people usually sharing “an apartment” as big as a changing room in clothing store. They each pay rent of about $10 a month, plus more for water and for a single neon light installed on bare walls. Another $10 or more goes toward transportation expenses. Food is getting more expensive.

To make ends meet a worker has to be very lucky not to get sick or overspend on anything outside the bare basics.

The problems start when something goes wrong, such as a family member dying, or a debt collector turning up. Then they borrow, creating a vicious cycle of debt and poverty that has ruined so many families, communities and countries worldwide.

Eng Chen, a 23 year old garment worker waits to receive an intravenous therapy at an one-bed private clinic in one of Phnom Penh's suburbs

Not all survive such a hard life. In the stench of a city’s slum, in a room in which every other wooden floor plank is missing, where the tin roof turns into a microwave oven, a girl nicknamed D explains why she quit garment work and joined what is colloquially called the “entertainment industry”, basically prostitution. “My mother died and it all went downhill from there. I needed quick money and could not wait for the next month’s salary. When I work in the park, it is more dangerous but I get money the same day.”

For many others, work in the textile industry is as good as it gets and better than anything else they know. Chhem Sokhorn, 37, is getting ready for work in the family’s rice field. We briefly speak about her life before the morning turns into unbearable heat and the ever-smiling woman makes a point: she used to work in the garment industry but quit to be the only one from her family to take care of her household. Her daughter is at the factory and she hopes her other children will get jobs there, too. Yes, the garment industry pays little; the hours are long and the work is hard but that is much better than tilling a rice paddy a few months a year.

With no education and no money to invest in something more profitable, the garment industry seems to be the only option. Outside an industrial zone where factories are based, young, unemployed women gather at the gates hoping for part-time work. Day or night shifts, they don’t seem to care. Their families expect them to start contributing an income.

Garment workers walk in heavy rain after working at their factories at a industrial zone in one of Phnom Penh's suburbs

The real problems will come later. The young and healthy can work a lot without asking too many questions.

They might dream about being a singer or an architect (like Man Chan Thea, the boy I photographed in a rice field who hates garment work because his sister is always so tired and sick from it).

But the reality is brutal and the society conservative. Investing in education or a career will not feed the family or pay existing debts. For many people I met outside walls of the factories, it is about sheer survival, nothing else.

The head of a mannequin is left in the window of a beauty saloon in area where garment factories are based in one of Phnom Penh's suburbs

You can see more of my pictures for this story here.